Paul Pope: In Your Space
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In an interview for BookExpo, cartoonist and artist Paul Pope talks about
his work, influences, and, yes, his studio space: Pope’s new book
Battling Boy ...
Gulliver's Travels Retold for Little Folk
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Gulliver's Travels
Retold for Little Folk
by
Agnes Grozier Herbertson
London
Blackie and Son Limited
c1910
cover illustration by John Hassal...
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*The Old Corner Bookstore in Boston, 1883.* Images show some multi-volume
boxed sets, some slipcases with thumb cutouts, and possibly a few jacketed
volum...
Miss Peregrine's Home for Peculiar Children
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Miss Peregrine's Home for Peculiar Children Author / Filmmaker /
Photographer: Ransom Riggs Designer (cover and interior): Doogie Horner
Publisher: Quirk ...
Frankenfont
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The Frankenfont Project is a limited edition of Mary Shelley’s Frankenstein
assembled from various PDF files found on the Internet. The book starts
“cohere...
Not a cover, just a plea
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Okay, I know you all are sick of me saying I'm coming back to blogging and
then blogging for a month or so and then abandoning the blog yet again, but
here...
de Vicq, ?, Keenan, Casalino, ?
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Anna Sui is published by Chronicle books - uncoated black jacket with
indigo foil and emboss. Incendiary earns de Vicq a series look - this is a
re-iss...
Yes, Chris, it is likely EBA, though we can't be certain without real evidence. All the artists kept up with developments and borrowed what they liked. DD was exceptionally good at executing a variety of styles. The versatile artist T. W. Ball was an art director at Harper's, and rarely signed his own work. He certainly was capable of doing the design on Phases to keep it in a similar style to The Descendant if EBA was not available or the budget did not allow for an outside designer.
That said, I keep these two books on the EBA shelf. Even if she did not do the design on Phases, it was inspired by the earlier design.
ooo -- how pretty!
ReplyDeleteRichard -- do you think she also did the Companion Glasgow volume, Phases of a distant planet? also Harpers, very similar cover.
ReplyDeleteYes, Chris, it is likely EBA, though we can't be certain without real evidence. All the artists kept up with developments and borrowed what they liked. DD was exceptionally good at executing a variety of styles. The versatile artist T. W. Ball was an art director at Harper's, and rarely signed his own work. He certainly was capable of doing the design on Phases to keep it in a similar style to The Descendant if EBA was not available or the budget did not allow for an outside designer.
ReplyDeleteThat said, I keep these two books on the EBA shelf. Even if she did not do the design on
Phases, it was inspired by the earlier design.